I had the chance to interview Slaid Cleaves about some of his favorite records. I also interviewed Michael O’Connor, his frequent sideman, here. Five Records is an occasional feature of artists talking about the music that inspires them. Read more of these posts here.
Bruce Springsteen
Nebraska
“I was a Bruce Springsteen fan, and when Nebraska came out in 1982 it provided the template for making powerful, affecting music on a low budget on an intimate scale I could be a part of, without all the industry/rockstar stuff I had no access to (or interest in).”
Eliza Gilkyson
Hard Times in Babylon
“I’m astounded at how much great music Eliza Gilkyson has put out over the past ten years. She and I run in the same circles, so I know how hard she works, and how well she treats the people she works with. She performs with incredible grace and is not afraid to speak her mind! There’s power and beauty and wisdom in everything she does, but my favorite record of hers is still Hard Times In Babylon from 2001.”
U2
How To Dismantle An Atomic Bomb
“I remember hearing a U2 song on the radio quite a bit, a few years ago. I think it was “Sometimes You Can’t Make It on Your Own” from How to Dismantle an Atomic Bomb. One goal I had when starting my latest record was to incorporate some of those pop sensibilites – a more internal, emotional focus, a more dramatic melody, more distict parts, besides just verse and chorus. I tried to apply these ideas to the new record, especially to the song “Cry,” which was, lyrically, more of a pop song than normal for me.”
Fred Eaglesmith
The Official Fred Eaglesmith Bootleg, Volume 1
“My favorite Eaglesmith record, this one has three “train songs” on it. I had a pretty big Lionel train set when I was a kid, and I would always be thrilled when my folks’ car would get stuck behind the crossing gates to let the train go by. So, when I first heard “I Like Trains” I really did say – Damn, I shoulda written that one!”
John Fullbright
Live At The Blue Door
“I’ve only heard a few songs, but it’s pretty clear that John Fullbright is one of the most talented young guns out there. Sometimes I think the art of songcraft – using characters, story, language, melody to create something lasting – is a vanishing art, practised only by old fogies like me. It’s good to see a 21-year-old stepping into this tradition and keeping it fresh and alive.”
Slaid Cleaves – Cry